• Stanowisko: adiunkt
    • Specjalność: literatura brytyska
    • Adres: ul. Hoża 69 oo-681 Warszawa  
  • Przebieg kariery naukowej
    • Magister, Uniwersytet Warszawski, 1992
    • Doktor nauk humanistycznych, Uniwersytet Warszawski, 2000
    • Doktor habilitowany nauk humanistycznych, Uniwersytet Warszawski, 2013
  • Zainteresowania i prowadzone prace badawcze
    • pierwsza wojna światowa w literaturze i filmie;
    • druga wojna światowa w literaturze i filmie;
    • miejsca pamięci w literaturze i filmie (memorial studies);
    • Trzecia Rzesza w literaturze i filmie;
    • historie alternatywne;
    • historia i pamięć w literaturze i filmie;
    • przemoc i cierpienie w literaturze i filmie
    • zjawisko traumy (trauma studies)
    • (de)konstruowanie tożsamości narodowej we współczesnej literaturze Wielkiej Brytanii i Wspólnoty Narodów.
  • Najważniejsze publikacje naukowe
  • Monografie:
    1. The Myth of War in British and Polish Poetry 1939-1945, New Comparative Poetics No. 4. Brussels: P.I.E.-Peter Lang, 2002
    2. Reimagining the War Memorial, Reinterpreting the Great War: The Formats of British Commemorative Fiction, Newcastle upon Tyne: Cambridge Scholars Publishing, 2012.
    Redagowane zbiory:
    1. The Great War in Post-Memory Literature and Film. Eds. Martin Löschnigg and Marzena Sokołowska-Paryż. Berlin and Boston: Walter de Gruyter, 2014.
    2. The Enemy in Contemporary Film.  Eds. Martin Löschnigg and Marzena Sokołowska-Paryż. Berlin and Boston: Walter de Gruyter, 2018.
    Artykuły naukowe (wybrane):
    1. “The Naked Male Body in the War Film.” Journal of War and Culture Studies Vol. 5, Nr. 1 (June 2012): 21-32.
    2. “The Narration and Visualization of Rape and the Inadvertent Subversion of the Anti-War Message in Brian De Palma’s Redacted and Casualties of War.” War, Literature and the Arts Vol. 24, 2012. Wydanie internetowe. http://wlajournal.com/24_1/pdf/Sokolowska-Paryz.pdf
    3.  “Reimagining the Great War in Grand-Historical Narratives: A Transnational Perspective on European History in the Twentieth Century.” Mnemosyne and Mars: Artistic and Cultural Representations of Twentieth-century Europe at War. Eds. Peter Tame, Dominique Jeannerod and Manuel Bragança. Newcastle upon Tyne: Cambridge Scholars Publishing, 2013. 327-342.
    4. “The Great War and the Easter Rising in Tom Phelan’s The Canal Bridge: A Literary Response to the Politics of Commemoration in Ireland.” The Great War in Post-Memory Literature and Film. Eds. Martin Löschnigg and Marzena Sokołowska-Paryż. Berlin and Boston: Walter de Gruyter, 2014. 335-347.
    5. “(Re)Remembering the Great War in Deathwatch.” Horrors of War: The Undead on the Battlefield. Eds. Cynthia Miller and A. Bowdon Van Riper. Lanham, Boulder, New York and London: Rowman and Littlefield. 2015. 118-135.
    6. “Remembering German Canadians in Jane Urquhart’s The Stone Carvers and Paul Gross’s Passchendaele: ‘Alien Citizens’ versus ‘the Birth of a Nation.’” North America, Europe and the Cultural Memory of the First World War. Eds. Martin Löschnigg and Karin Kraus. Heidelberg: Universitätsverlag Winter, 2015. 121-132.
    7. “Re-imagining the Thiepval Memorial to the Missing of the Somme in Contemporary British Writing.” Re-Imagining the First World War: New Perspectives in Anglophone Literature and Culture. Eds. Anna Branach-Kallas and Nelly Strehlau. Newcastle upon Tyne: Cambridge Scholars Publishing, 2015. 92-109.
    8.  “The Great War in Detective Fiction.” The Great War: From Memory to History. Eds. Jonathan F. Vance, Kellen Kurschinski, Matt Symes, Steve Marti, and Alicia Robinet. Waterloo, ON: Wilfrid Laurier University Press, 2015. 79-98.
    9. “The Second World War in Recent Polish Counterfactuals and Alternative (Hi)stories.” The Long Aftermath: Historical and Cultural Legacies of Europe at War (1936-1945). Eds. Manuel Bragança and Peter Tame. New York and Oxford: Berghahn Books, 2016. 316-330.
    10. “War Rape: Trauma and the Ethics of Representation.” Traumatic Memories of the Second World War and After. Eds. Peter Leese and Jason Crouthamel. New York: Palgrave Macmillan, 2016. 223-244.
    11. “History, (Non)Memory and the Ideological Uses of Genre: Alternate Scenarios and Dystopian Visions.” History, Memory and Nostalgia in Literature and Culture. Ed. Regina Rudaitytė. Newcastle upon Tyne: Cambridge Scholars Publishing, 2018. 173-188.
    12.  “The Affective and Ideological ‘Faces’ of the Great War: Facial Disfigurement and Cultural Memory.” ANGLISTIK: International Journal of English Studies 29.2. “Focus on - The First World War Then and Now: Literature, Theatre, and The Arts (2018): 91-104. (Heidelberg: Universitätsverlag WINTER).
    13.  “Literackie konstrukcje traumy kulturowej: ideologiczny wymiar ‘kobiet w żałobie’ w powieściach Roberta Edrica In Desolate Heaven oraz Jodie Shields The Crimson Portrait.” Teksty Drugie 4: Wielka Wojna (2018): 56-71.